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<p style="text-align: center;"><span style="font-size: 110%;"><strong><span style="font-size: 110%;">China Journey</span></strong></span></p>
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<p><span style="font-size: 100%;">Beijing in 1982, when I lived there, was a shadowy city of pale yellows and greys, over which filtered the hazy sunlight of the North China Plain, diffused by billions of dust particles borne on prevailing winds from the Gobi Desert. It only rained in July and August and during winter the air was heavily polluted by fumes from burning soft brown coal for cooking, heating and industry to support the well over twenty million inhabitants. This was the early period of the &ldquo;Four Modernizations&rdquo; and I was privileged to watch for two years as China introduced reforms to speed up economic development through foreign investment, a more open market and access to advanced technologies and management experience. My participation in this amazing endeavour was to interview in English Chinese Government-selected candidates for individual work study programmes in Canada and administer the process to send them there.</span></p>
<p><span style="font-size: 100%;">For my family, it was a never to be forgotten or repeated experience of living in a Communist controlled country with little freedom of speech or movement. We were allowed to travel without a pass and guide for only a radius of ten miles.&nbsp; We were supposed to shop only in the Friendship Stores, exclusively for foreigners, using special currency only obtainable with a foreign passport.&nbsp; So, I missed out on being able to buy a pair of magnetic shoes I once saw being sold in a Chinese department store with promises of health, happiness, sexual prowess and even the restoration of youth!</span></p>
<p><span style="font-size: 100%;">Our furnished apartment was located in a grim, grey, fourteen storied, Russian built, cement building with metal window frames. The front room balcony overlooked the main road, which was a great source of interest, making up for the horrendous daily noise of traffic, the ringing of bicycle bells, and the bone rattling thump of the farm tractors, cleverly adapted to double as family transport, driving by. On the road, and sometimes right in the middle of it, I saw men wearing white coats and bright red armbands, emblazoned with bold Chinese characters. These would-be professional drivers have to spend one month studying the traffic before taking any driving lessons. No doubt only the courageous pass that test! I needed to have a Chinese driving licence to drive to my office, but only had to pass a health test to get one as I had an international drivers&rsquo; licence. My blood pressure was taken on both arms, to my surprise, but the doctor explained that the readings could be different. I passed the test and was issued with a small, red, folded cardboard document written in Chinese characters, including my surname, which literally translated as &ldquo;drinking soup in the forest&rdquo;!</span></p>
<p><span style="font-size: 100%;">Another balcony, on the other side of our apartment, overlooked the compound and we were high enough up to see over the wall into the Chinese area, where the occasional boxing match took place.&nbsp; Across the road in an open field, there were sometimes PLA (People&rsquo;s Liberation Army) training exercises, with and without guns, to be watched.&nbsp;&nbsp; The guns were never fired, fortunately, as the soldiers took their turn with soccer teams.&nbsp; Sometimes the turns got confused.&nbsp;&nbsp; It was quite a sight to see a PLA group advancing, with guns at the ready, right through the middle of a soccer game in full progress! Occasionally the local children joined in, lining up in straight lines like the soldiers.&nbsp; By afternoon, the ground was empty and here and there the grass struggled to take hold.&nbsp;&nbsp; With so much footwork and so little rain, this was scarcely possible.</span></p>
<p><span style="font-size: 100%;">There was a marvelous park near our apartment, in which there was a very small Ching dynasty palace, which had a flower-filled and most peaceful courtyard, a restaurant, handicraft shops, small hill-top pagodas, fountains, ponds and a pavilion.&nbsp;&nbsp; There were lots of lovely trees and winding paths to follow.&nbsp; Very early in the morning, people came to the park to perform Tai Chi, practice their singing and shouting and walk their birds in cages.&nbsp;&nbsp; The birds seemed to enjoy this outing and get together with all the other caged birds as they sang themselves silly.&nbsp; They also got swung upside down a few times inside their cages to strengthen their tiny ankles on the perch!</span></p>
<p><span style="font-size: 100%;">I was taken to the theatre to see an acrobatic and magic show for two superb hours in the ancient Erqi Theatre off an alleyway in an old part of the city.&nbsp;&nbsp; Not only were the acts amazing, but the fact that they could be performed on such a tiny stage was incredible.&nbsp;&nbsp; The audience was mixed, relaxed and stared unashamedly at we foreigners as they ate bags of sweets, threw peanuts on the floor, talked throughout the performance and seldom applauded the incredible acrobatic feats requiring great skill and courage. I also attended an evening of Chinese opera, dramatizing ancient legends with music, song and very skilful acts, including throwing various war-like weapons across the stage.&nbsp; I was not comfortable sitting in the front row for that part of the performance!</span></p>
<p><span style="font-size: 100%;">My office was in a new building at the Beijing University of Foreign Languages, the opening ceremony for which I attended.&nbsp; After the speeches, firecrackers went off with loud bangs and a hose was taken up on the roof, and turned on to pour copious amounts of water down all the outside walls &ndash; an ancient tradition to ward off evil spirits.&nbsp;&nbsp; I hoped no-one had forgotten to close a window!&nbsp;&nbsp;&nbsp; The room I was allocated to administer the project was furnished with two desks and chairs, a chesterfield and coffee table, red (for good luck) curtains on the two windows and an ancient manual typewriter for the Chinese secretary, Mrs. Rui, to use.</span></p>
<p><span style="font-size: 100%;">I flew off to Hong Kong to spend project funds on two electric typewriters for myself and Mrs. Rui, two photocopy machines, in case one broke down, and an air-conditioner that doubled as a room heater.&nbsp; I was given a used carpet for the cement floor, which was freezing cold in winter.&nbsp; The air-conditioner cum heater needed to be installed in the wall, which caused a problem of some magnitude because the wiring system in the building was not suitable for the amount of wattage required. This task took one year to accomplish and on days when the temperature fell below freezing and I could not move my fingers, I took my work home to the well heated apartment.&nbsp; On other winter days I bundled up my body in silk lined woolen slacks, sweaters and a feather-filled, quilted ski jacket.&nbsp; I also wore boots, mittens and a cashmere scarf to the office.</span></p>
<p><span style="font-size: 100%;">Workers in the building were all members of a Chinese unit or Communist cell.&nbsp;&nbsp; They followed instructions from their leader, but demonstrated a democratic process when an attempt was made to remove our project driver, Mr.Hu, from duty in favour of another driver.&nbsp;&nbsp; Mr.Hu stood his ground and won his case to remain as the project driver.&nbsp;&nbsp; I was never privy to the reasons for his dismissal or restitution, but glad to see the right to protest upheld.&nbsp;&nbsp; I had a Chinese counterpart, co-project director, Mr. Wang, who I picked up on my way to the office every morning and drove there in the project car.&nbsp;&nbsp; Mr. Hu drove the other Chinese project workers, including Mrs.Rui and my Canadian project assistant, Sheila, in the project mini bus.</span></p>
<p><span style="font-size: 100%;">It was very difficult not to hit a cyclist on the roads as there were literally eleven million of them, mostly proceeding along designated bicycle paths but, without any warning, such as hand signals, they could swerve suddenly into the traffic.&nbsp; The vast majority of cyclists seemed to have no idea of what a car could or could not do, like moving sideways to avoid collision.&nbsp; Sadly, some were injured every day, but none by me, I&rsquo;m glad to say.</span></p>
<p><span style="font-size: 100%;">As a Beijing resident I had to be &ldquo;gonged, walled, tombed and ducked&rdquo;!&nbsp;&nbsp; That is to say, visit the Gugong (Forbidden City), the Great Wall, the Ming Tombs, and dine on Peking duck.&nbsp;&nbsp; The three most famous duck restaurants in Beijing are affectionately known as the Big duck, the original restaurant, the Sick duck next door to the capital hospital, and the Super duck, located in a multi-storied building seating 2,500 people in 41 dining rooms. All 10-20 course banquets were washed down with the infamous Maotai (liquor with a very high alcohol content), by male guests at the end of every toast.&nbsp; Women could choose to drink beer, mineral water, orange pop or sweet Chinese wine.&nbsp;&nbsp; We sat around a large circular table, in the middle of which was a &ldquo;lazy Susan&rdquo; on which the dish for each course was placed.&nbsp;&nbsp; The host always served the guests from this dish with chopsticks, stretching out an arm and not dropping the food before reaching each person&rsquo;s plate.&nbsp; This required skills I had to learn fast for when my turn came.&nbsp; In order to get through all the courses, the trick was to eat very small portions.&nbsp; Not sampling every dish would offend your hosts.&nbsp; Those banquets were a wonderful way to surmount the language barrier as not much conversation was required and everyone had a good time.</span></p>
<p><span style="font-size: 100%;">Foreigners visiting Beijing on official business were greeted with overwhelming hospitality, escorted to their hotels, welcomed and farewelled with lavish banquets, shown over the local sights with interpreter-guides, (still dressed in their Mao suits, as was every Chinese seen in public at that time), and generally treated with paternalistic care such as they never experienced before!&nbsp;&nbsp; For those of us fortunate enough to have lived there for two years, it was a never to be forgotten experience.&nbsp;</span></p>
<p><span style="font-size: 100%;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</span></p>
<p><span style="font-size: 100%;">&nbsp;Kaixin - This is not the China of today! It is the China of 1982 just 3 years after Deng Xiaoping started to open China to the world. The difference between the China that Kaye experienced and now is stark. It shows just how far China has progressed in terms not just of economic progress but in particular social progress. Beijing is now a modern world city, there are no restrictions on movement and the city bustles with colour.</span></p>
<p><span style="font-size: 100%;">The one thing that has not changed is the genuine welcome and hospitality of the Chinese people.</span></p>

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<p style="text-align: center;"><a href="http://kaixin.com.au/ctip/" target="_blank">Contemporary China in Photographs </a></p>
<p style="text-align: center;">&nbsp;</p>
<p style="text-align: center;"><span class="full-image-block ssNonEditable"><a href="http://kaixin.com.au/ctip/" target="_blank"><img style="width: 40px;" src="http://kaixin.com.au/storage/Weekly%20Photo%20Header.jpg?__SQUARESPACE_CACHEVERSION=1286677564270" alt="" /></a></span></p>
<p>&nbsp;</p>
<p style="text-align: center;">&nbsp;</p>
<p style="text-align: left;"><a href="http://kaixin.com.au/china-history-in-film/" target="_blank"><span style="font-size: 110%;"><strong><span style="color: #ff0000;">A Series of Documentaries </span></strong></span><strong>&nbsp;</strong></a></p>
<p style="text-align: left;"><a href="http://kaixin.com.au/china-history-in-film/" target="_blank"><span style="font-size: 110%;"><strong> <span style="color: #ff0000;">on </span></strong></span></a></p>
<p style="text-align: left;"><a href="http://kaixin.com.au/china-history-in-film/" target="_blank"><strong> <span style="color: #ff0000;">China's History</span></strong></a></p>
<p><strong><span style="color: #ff0000;"><a href="http://kaixin.com.au/china-history-in-film/" target="_blank"><span class="full-image-block ssNonEditable"><img style="width: 150px; float: left;" src="http://kaixin.com.au/storage/72.jpg?__SQUARESPACE_CACHEVERSION=1282635197755" alt="" /></span></a><br /></span></strong></p>
<p style="text-align: center;">&nbsp;<strong><span style="color: #1649ca;">Kaixin's</span><span style="color: #ee1515;"> Daily</span><span style="color: #ffff00;"> OpEd</span><span style="color: #1649ca;">&nbsp;</span><span style="color: #04b404;"> </span></strong></p>
<p style="text-align: center;">&nbsp;<a href="http://kaixin.com.au/kaixin-oped/" target="_blank"><strong> <span class="full-image-block ssNonEditable"><img style="width: 100px;" src="http://kaixin.com.au/storage/Shang%20hai%20068.jpg?__SQUARESPACE_CACHEVERSION=1288161096065" alt="" /></span></strong></a></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p style="text-align: center;"><a href="http://kaixin.com.au/insights-into-china/" target="_blank">Insights into China's </a></p>
<p style="text-align: center;"><a href="http://kaixin.com.au/insights-into-china/" target="_blank">Society &amp; Culture</a></p>
<p style="text-align: center;"><a href="http://kaixin.com.au/insights-into-china/" target="_blank"><span class="full-image-block ssNonEditable"><img style="width: 100px;" src="http://kaixin.com.au/storage/http_imgload25.jpg?__SQUARESPACE_CACHEVERSION=1287652825661" alt="" /></span></a></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><span style="color: #04b404;">
<p style="text-align: right;">GREEN CHINA</p>
</span></p>
<p><a href="http://kaixin.com.au/green-china/" target="_blank"><span class="full-image-block ssNonEditable"><img style="width: 120px; float: right;" src="http://kaixin.com.au/storage/gc_duck.jpg?__SQUARESPACE_CACHEVERSION=1287564946624" alt="" /></span></a></p>
<p>&nbsp;</p>
<p style="text-align: center;"><a href="http://kaixin.com.au/china-real-estate/" target="_blank"><span style="font-size: 120%;">China Real Estate</span></a></p>
<p style="text-align: center;"><a href="http://kaixin.com.au/china-real-estate/" target="_blank"><span class="full-image-block ssNonEditable"><img style="width: 140px;" src="http://kaixin.com.au/storage/CD%20Urbanisation%20growing%20pains.jpg?__SQUARESPACE_CACHEVERSION=1287735854164" alt="" /></span></a></p>
<p>&nbsp;</p>
<p style="text-align: left;"><a href="http://kaixin.com.au/yuan-revaluation/" target="_blank"><span style="font-size: 120%;">Yuan Revaluation &amp; Internationalisation</span></a></p>
<p><a href="http://kaixin.com.au/yuan-revaluation/" target="_blank"><span class="full-image-block ssNonEditable"><img style="width: 100px; float: left;" src="http://kaixin.com.au/storage/Yuan%20Debate.jpg?__SQUARESPACE_CACHEVERSION=1287717232770" alt="" /></span></a></p>
<p style="text-align: center;"><a href="http://kaixin.com.au/chinese-art/" target="_blank"><span style="font-size: 110%;"><span style="color: #ee1515;">Chinese Art</span></span></a></p>
<p style="text-align: center;"><span style="color: #ee1515;">艺术</span></p>
<p style="text-align: center;"><a href="http://kaixin.com.au/chinese-art/" target="_blank"><span class="full-image-block ssNonEditable"><img style="width: 100px;" src="http://kaixin.com.au/storage/Bamboo%20Logo.jpg?__SQUARESPACE_CACHEVERSION=1288933252806" alt="" /></span></a></p>
<p style="text-align: center;">&nbsp;</p>
<p>&nbsp;</p>
<p><a href="http://kaixin.com.au/chinese-zodiac/" target="_blank"><span class="full-image-block ssNonEditable"><span><img style="width: 60px; float: left;" src="http://kaixin.com.au/storage/chinese-zodiac-Logo.jpg?__SQUARESPACE_CACHEVERSION=1287264251192" alt="" /></span></span></a></p>
<p style="text-align: left;"><span style="font-size: 150%;">&nbsp; <span style="color: #ee1515;">Chinese Zodiac</span></span></p>
<p style="text-align: left;"><span style="font-size: 150%;">&nbsp; <span style="color: #ee1515;">Jewellry</span></span></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p style="text-align: center;"><span> <span style="color: #1649ca;"> China's </span><span style="color: #ee1515;">Top</span><span style="color: #ffff00;"> 10</span><span style="color: #04b404;"> Leisure</span> <span style="color: #ee1515;"> Spots</span></span></p>
<p style="text-align: center;"><span><span style="color: #ee1515;"><a href="http://kaixin.com.au/chinas-top-10-leisure-spots/" target="_blank"><span class="full-image-block ssNonEditable"><span><img style="width: 120px;" src="http://kaixin.com.au/storage/CDTop10Guilin1.jpg?__SQUARESPACE_CACHEVERSION=1289026682818" alt="" /></span></span></a><br /></span></span></p>
<p>&nbsp;</p>
</span></p>
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<p>&nbsp;</p>]]></content></entry><entry><title>Slow road to China</title><category term="China"/><category term="China Travel"/><category term="Tourism"/><category term="Travel"/><id>http://kaixin.com.au/china-journey/2010/6/7/slow-road-to-china.html</id><link rel="alternate" type="text/html" href="http://kaixin.com.au/china-journey/2010/6/7/slow-road-to-china.html"/><author><name>Zhou Xiaosui</name></author><published>2010-06-07T08:27:40Z</published><updated>2010-06-07T08:27:40Z</updated><content type="html" xml:lang="en-AU"><![CDATA[<p>&nbsp;</p>
<p style="text-align: center;"><span style="font-size: 110%;"><strong><span style="font-size: 110%;">China Journey</span></strong></span></p>
<p>&nbsp;<span class="full-image-block ssNonEditable" style="text-align: center;"><span><img style="width: 150px;" src="http://kaixin.com.au/storage/Waterfall%20060.jpg?__SQUARESPACE_CACHEVERSION=1289649092236" alt="" /></span></span></p>
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<p><strong><a href="http://www.smh.com.au/travel/slow-road-to-china-20090218-8ax6.html" target="_blank">The Sydney Morning Herald&nbsp;&nbsp; 21/2/2009</a><br /></strong></p>
<p><a href="http://www.smh.com.au/travel/slow-road-to-china-20090218-8ax6.html" target="_blank"><strong>Slow road to China</strong></a></p>
<p>Penny Watson travels among the Mosuo, the Naxi and the  Yi on a 4000-kilometre drive through the south-west. We're caught in  bumper-to-bumper market-day traffic behind motorcycles and car, water  buffalo and pedestrian-drawn carts, rusty bicycles and other ancient  vehicles that still pass for transport in rural China.</p>
<p>﻿<a href="http://www.smh.com.au/travel/slow-road-to-china-20090218-8ax6.html" target="_blank"><span class="full-image-block ssNonEditable"><span><img src="http://kaixin.com.au/storage/Slow%20Road%20to%20China.jpg?__SQUARESPACE_CACHEVERSION=1275899397405" alt="" /></span></span></a></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p style="text-align: center;"><span style="font-size: 110%;"><strong><span style="font-size: 110%;">China Journey</span></strong></span></p>
<p style="text-align: center;"><a class="offsite-link-inline" href="http://kaixin.com.au/china-journey/" target="_blank">&nbsp;HOME</a><a href="http://kaixin.com.au/china-journey/" target="_blank"><span class="full-image-block ssNonEditable" style="text-align: center;"><span><img style="width: 150px;" src="http://kaixin.com.au/storage/Waterfall%20060.jpg?__SQUARESPACE_CACHEVERSION=1289649092236" alt="" /></span></span></a></p>
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<p>&nbsp;</p>
<p>&nbsp;</p>
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<p style="text-align: center;"><span style="font-size: 120%;"> <span style="color: #ffff00;">Explore Kaixin </span></span></p>
<p>&nbsp;</p>
<p style="font-size: 90%; text-align: left;"><a href="http://kaixin.com.au/the-cultural-revolution/" target="_blank"><span style="color: #d5ded8;">The Cultural Revolution through my eyes</span></a></p>
<p style="text-align: left;"><a href="http://kaixin.com.au/the-cultural-revolution/" target="_blank"><span class="full-image-float-none ssNonEditable"><img style="width: 100px; float: left;" src="http://kaixin.com.au/storage/0b9eb319a214da77dab4bd8e.jpg?__SQUARESPACE_CACHEVERSION=1288730596372" alt="" /></span></a></p>
<p style="text-align: center;">&nbsp;</p>
<p style="text-align: center; font-size: 100%;"><em>&nbsp;<em><span style="color: #ff0000;"><a href="http://kaixin.com.au/growing-up-in-china/" target="_blank">Growing up in China</a></span></em></em></p>
<p style="text-align: center; font-size: 100%;"><a href="http://kaixin.com.au/growing-up-in-china/" target="_blank"><em><em><span class="full-image-block ssNonEditable"><img style="width: 100px;" src="http://kaixin.com.au/storage/Waterfall%20049.jpg?__SQUARESPACE_CACHEVERSION=1288685463828" alt="" /></span></em></em></a></p>
<p style="text-align: right;"><a href="http://kaixin.com.au/mfw/" target="_blank"><strong><span style="font-size: 80%;"> <span style="color: #ff0000;">My Father's Wisdom</span></span></strong></a></p>
<p><strong><span style="color: #d5ded8;">&nbsp;</span>&nbsp; </strong><a href="http://kaixin.com.au/mfw/" target="_blank"><span class="full-image-float-none ssNonEditable"><img style="width: 100px; float: right;" src="http://kaixin.com.au/storage/Shang%20hai%20071.jpg?__SQUARESPACE_CACHEVERSION=1286188605039" alt="" /></span></a></p>
<p style="text-align: left;"><a href="http://kaixin.com.au/jiang-gu-shi/" target="_blank"><em>'jiang gu shi'</em></a></p>
<p style="text-align: left;"><a href="http://kaixin.com.au/jiang-gu-shi/" target="_blank"><span style="font-size: 120%;">&nbsp;讲故事</span></a></p>
<p style="text-align: left;"><a href="http://kaixin.com.au/jiang-gu-shi/" target="_blank">Storyteller</a></p>
<p>&nbsp; <a href="http://kaixin.com.au/jiang-gu-shi/" target="_blank"><span class="full-image-block ssNonEditable"><img style="width: 100px; float: left;" src="http://kaixin.com.au/storage/Waterfall%20045.jpg?__SQUARESPACE_CACHEVERSION=1288511273874" alt="" /></span></a></p>
<p style="text-align: center;"><a href="http://kaixin.com.au/chinese-home-cooking/" target="_blank"><span style="color: #ee1515;">Xiaosui's Home Cooking</span></a></p>
<p style="text-align: center;"><a href="http://kaixin.com.au/chinese-home-cooking/" target="_blank"><span class="full-image-block ssNonEditable"><img style="width: 100px;" src="http://kaixin.com.au/storage/KaiXin%20-%20cooking%20049.jpg%20-%201.jpg?__SQUARESPACE_CACHEVERSION=1287005065921" alt="" /></span></a></p>
<p>&nbsp;</p>
<p style="text-align: right;"><a href="http://kaixin.com.au/chinese-music/" target="_blank"><span style="font-size: 80%;"><span style="color: #ee1515;">A Selection of Chinese Classical Music available on YouTube</span></span></a></p>
<p><a href="http://kaixin.com.au/chinese-music/" target="_blank"><span style="font-size: 150%;"><span style="color: #ee1515;"><span class="full-image-block ssNonEditable"><img style="width: 100px; float: right;" src="http://kaixin.com.au/storage/Qing%20Xiu%20072.jpg?__SQUARESPACE_CACHEVERSION=1286783283698" alt="" /></span></span></span></a></p>
<p>&nbsp;</p>
<p style="text-align: center;"><span style="color: #757676;">&nbsp;</span></p>
<p style="text-align: center;"><span style="color: #757676;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; China and Tibet - Xi Zang   西藏 </span></p>
<p><span style="color: #d5ded8;">
<p style="text-align: center;"><span style="font-size: 80%;"><a href="http://kaixin.com.au/xi-zang-tibet/" target="_blank">&nbsp;"<em>Darkness cannot drive out darkness, only light can do that</em>," Dalai Lama</a><br /></span></p>
<p style="text-align: center;"><span class="full-image-block ssNonEditable"><a href="http://kaixin.com.au/xi-zang-tibet/" target="_blank"><img style="width: 100px;" src="http://kaixin.com.au/storage/Tibet%20Railway%20BBC.jpg?__SQUARESPACE_CACHEVERSION=1286833623604" alt="" /></a></span></p>
</span></p>
<p>&nbsp;</p>
<p style="text-align: center;">&nbsp;</p>
<p style="text-align: left;"><a href="http://kaixin.com.au/women-in-china/" target="_blank"><strong>Women in China </strong><strong>&nbsp;</strong></a></p>
<p><a href="http://kaixin.com.au/women-in-china/" target="_blank"><span class="full-image-block ssNonEditable"><img style="width: 120px; float: left;" src="http://kaixin.com.au/storage/women%20in%20%20China%20header.jpg?__SQUARESPACE_CACHEVERSION=1287172887663" alt="" /></span></a></p>
<p style="text-align: center;">&nbsp;<a href="http://kaixin.com.au/chinese-movies/" target="_blank"><span style="font-size: 90%;"><strong><span style="color: #ee1515;">Chinese Movies</span></strong></span><strong>&nbsp;</strong></a></p>
<p style="text-align: center;"><a href="http://kaixin.com.au/chinese-movies/" target="_blank"><span style="font-size: 120%;"><span class="full-image-block ssNonEditable"><img src="http://kaixin.com.au/storage/http_imgload56.jpg?__SQUARESPACE_CACHEVERSION=1287041770835" alt="" /></span></span></a></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p style="text-align: right;"><a href="http://kaixin.com.au/chinese-poetry/"><span style="font-size: 90%;"> <span style="color: #ee1515;">Chinese Poetry</span></span></a></p>
<p>&nbsp;<span class="full-image-block ssNonEditable"><a href="http://kaixin.com.au/chinese-poetry/" target="_blank"><img style="width: 100px; float: right;" src="http://kaixin.com.au/storage/Poetry%20Li%20Bai%20Drinking%20Alone%20under%20the%20Moon.jpg?__SQUARESPACE_CACHEVERSION=1287041028028" alt="" /></a></span></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><span style="color: #ee1515;">
<p style="text-align: center;"><a href="http://kaixin.com.au/ctip/" target="_blank">Contemporary China in Photographs </a></p>
<p style="text-align: center;">&nbsp;</p>
<p style="text-align: center;"><span class="full-image-block ssNonEditable"><a href="http://kaixin.com.au/ctip/" target="_blank"><img style="width: 40px;" src="http://kaixin.com.au/storage/Weekly%20Photo%20Header.jpg?__SQUARESPACE_CACHEVERSION=1286677564270" alt="" /></a></span></p>
<p>&nbsp;</p>
<p style="text-align: center;">&nbsp;</p>
<p style="text-align: left;"><a href="http://kaixin.com.au/china-history-in-film/" target="_blank"><span style="font-size: 110%;"><strong><span style="color: #ff0000;">A Series of Documentaries </span></strong></span><strong>&nbsp;</strong></a></p>
<p style="text-align: left;"><a href="http://kaixin.com.au/china-history-in-film/" target="_blank"><span style="font-size: 110%;"><strong> <span style="color: #ff0000;">on </span></strong></span></a></p>
<p style="text-align: left;"><a href="http://kaixin.com.au/china-history-in-film/" target="_blank"><strong> <span style="color: #ff0000;">China's History</span></strong></a></p>
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<p>&nbsp;</p>]]></content></entry><entry><title>A Tourist's view of the Terracotta Warriors</title><category term="China Travel"/><category term="Terracotta Warriors"/><category term="Tourism"/><category term="Travel"/><id>http://kaixin.com.au/china-journey/2009/1/17/a-tourists-view-of-the-terracotta-warriors.html</id><link rel="alternate" type="text/html" href="http://kaixin.com.au/china-journey/2009/1/17/a-tourists-view-of-the-terracotta-warriors.html"/><author><name>Zhou Xiaosui</name></author><published>2009-01-17T01:39:03Z</published><updated>2009-01-17T01:39:03Z</updated><content type="html" xml:lang="en-AU"><![CDATA[<p>&nbsp;</p>
<p style="text-align: center;"><span style="font-size: 110%;"><strong><span style="font-size: 110%;">China Journey</span></strong></span></p>
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<p><span><span class="full-image-float-left ssNonEditable"><span><img src="http://kaixin.com.au/storage/TerraWarrior1.jpg?__SQUARESPACE_CACHEVERSION=1232313084646" alt="" /></span></span>I woke up to another gray day in Xi&rsquo;an China. It was water, water everywhere, and my runners were still sopped and squishy from yesterday&rsquo;s grueling itinerary. I had gone to see the Goose Pagoda, the history museum, and the Taoist temple, all with an umbrella over my head.</span></p>
<p><span>I had just finished a Trans Siberian tour by train, which ended in Beijing, and had made my own way to Xi&rsquo;an to see the infamous Terra Cotta Warriors.</span></p>
<p><span>I put on the same jeans and green cotton shirt I had been wearing for the last two months, and went down to the hotel restaurant to have breakfast and read over my guidebook. My heart quickened as I looked at the glossy photos of the clay figures who guard the burial place of the great Chinese Emperor Quin Shi Huangdu. Each had a different expression on his face with different clay features, and was ready to do battle. I marked the page in my book and went down to the lobby to catch a taxi to the bus terminal.</span></p>
<p><span>I was brave like the warriors. With nothing but the little scrap of paper in my hand with &ldquo;Terra Cotta Warriors&rdquo; scrawled on it in Mandarin, and my guidebook open to their glossy photo, I found my way to the right bus at the terminal that morning, rain streaming down from the grey sky.</span></p>
<p><span>I showed the driver my stuff, and he nodded to me to get on. I found myself a seat at the back of the bus, and took my shoes and socks off. I lay them on the radiator at my feet, and began worrying about where I should get off the bus. How the heck was I going to know when I got there? I got up to show my neighbour across the aisle the scrap and the book, and she assured me by her smile that this was the bus. I settled down for the hour long bus ride.</span></p>
<p><span>Eventually I heard English words drifting down the bus from a couple of European travelers. They were speaking with a Chinese man and I watched them the rest of the way as they waited at the front, backpacks on, poised to get off at the right moment. When the time was right, I followed them off the bus.</span></p>
<p><span><span class="full-image-float-left ssNonEditable"><span><img src="http://kaixin.com.au/storage/TerrWarrior2.jpg?__SQUARESPACE_CACHEVERSION=1232313207191" alt="" /></span></span>I walked towards the vast burial site of Qin Shi Huangdu and his 7000 clay protectors. Rising beautifully to look down over the valley tomb stood a large, jagged, mountain, veined inside with Jade, its peak covered with dark green brush. The emperor chose this site for its proximity to this auspicious stone, as well as to a meandering river nearby.</span></p>
<p><span>I purchased a plastic ticket in the shape of a credit card, the mustached face of a warrior gazing stoically from its surface, his hair in an intricate top-knot. I approached a bank of covered turnstiles, and fed my card to a machine as I passed through. It burped it out for me on the other side, and I made my way past a man offering his services as a guide and down a lightly forested path. Crossing over a field dotted by boulders, I arrived at the entrance to the large complex, and entered through its gate.</span></p>
<p><span>The square was filled with mostly Chinese tourists milling about in the light drizzle. Excited, I walked directly to one of the entrances to what was a series of buildings, hoping I&rsquo;d picked the right one, as there was no indication of which building held the warriors. I followed a corridor past a large jade sculpture and arrived at the largest of three tombs. It was a vast hangar-like room the size of a foot ball field in which was dug a large pit. Inside the pit, row after row, stood the 6000 warriors, frozen in time. They were the colour of reddish sand, and stood stoically, ready for battle. Each had his own unique face, exquisitely chiseled by a worker&rsquo;s hand. Each had a solid base and hollow body, made of clay and fired in a kiln. The workers had been buried alive with the tomb, to ensure that its location was kept hidden, and concubines were buried alive for the emperor&rsquo;s pleasure in the after life.</span></p>
<p><br /><span><span class="full-image-float-left ssNonEditable"><span><img src="http://kaixin.com.au/storage/TerrWarrior3.jpg?__SQUARESPACE_CACHEVERSION=1232313287931" alt="" /></span></span>Tourists stood behind a fence surrounding the pit, oohing, aahing, and snapping pictures. I took wide shots to capture the vastness of the pit, and zoomed in to capture the exquisite features, and impassive, fierce, battle-ready expressions of the clay men. I walked the length of the pit, and found clay horses on the other side, meticulously re-constructed from their shattered pieces, with their riders beside them, overlooking the archaeological battlefield. I was dazzled by their beauty and finely crafted detail. So like real horses and real men.</span></p>
<p><span>I left the dig, and found the two other open pits. They were small, square-ish, tombs, their inhabitants lying shattered on the floor. Their original forms were barely distinguishable. I spent a few minutes visually assembling the jigsaw pieces of horses and soldiers on the floor, then walked out into the courtyard again, feeling reverent and lucky to be there. I didn&rsquo;t want to leave. My short visit had given me but a taste of the vast wonder and beauty of the tombs. It was time to tuck into a substantial meal of history and information, so I headed to a booth offering guides. The woman clad in a purple pastel suit behind the counter nodded, smiling at my request. She asked me to wait, and five minutes later my guide, Melody, arrived under an umbrella. She too was dressed for the decorum of her role in a grey skirt and white blouse. I paid the equivalent of $15 Canadian, and we entered the tomb again.</span></p>
<p><span><span class="full-image-float-left ssNonEditable"><span><img src="http://kaixin.com.au/storage/TerrWarrior4.jpg?__SQUARESPACE_CACHEVERSION=1232313360365" alt="" /></span></span>She told me that the tomb was discovered in 1974, by a farmer digging a well, and that the dig is still active. She elaborated on the tomb&rsquo;s history: In 221 B.C., Quin Shi Huangdu declared himself emperor of China. He unified China from a hodgepodge of regions led by warring rulers, to a vast country with a new legal and monetary system. He enlisted thousands of workers to join together the defensive walls in the north of China to create the 6,400 kilometre long Great Wall to keep out the notorious Mongols. His ego was as great as the vast tomb he built, and he felt he needed the army of life-size warriors to protect him in the afterlife from his numerous enemies.</span></p>
<p><span>There are three pits with over 7000 soldiers, officers, horses and chariots. Each warrior, originally painted with pigment and holding a weapon, has his own uniquely carved features. The weapons have long-since rotted away.</span></p>
<p><span>It was hard to understand Melody&rsquo;s Mandarin-accented commentary in the pit echoing with voices, but I cocked my head, my face twisted into a grimace of concentration, to hear every word.</span></p>
<p><span><span class="full-image-float-left ssNonEditable"><span><img src="http://kaixin.com.au/storage/TerrWarrior5.jpg?__SQUARESPACE_CACHEVERSION=1232313568782" alt="" /></span></span>When we were done about 40 minutes later, she walked me to the Jade shop. On the way, we saw the farmer who had discovered the site, smoking a pipe and signing coffee table books. He was dressed in a humble grey suit, his thin face sprouting a sparse beard. Tourists must pay him to take his photo. It is only in the last ten years that the Chinese government has recognized his contribution and pay him a small, yearly pension.</span></p>
<p><span>My guide left me in the hands of the Jade sellers in the little shop and I knew it would be hard to refuse a sale by these insistent women. I searched out the smallest and least expensive trinket I could find, a small jade disk with a hole in the centre. The jade came from the mountain nearby. I asked for two, one for me and one for my friend back home. The shopkeeper strung them on red thread, forming an adjustable knot, allowing it to be slipped easily on and off. The jade was for luck, the ring for protection, she explained. My friend has kidney disease, and I thought she&rsquo;d appreciate the amulet. We both would have one, creating a little bond from my travels.</span></p>
<p><span>On the way out, I poked my head into the large dining room. The greasy fare on offer and the dirty tables didn&rsquo;t tempt me, so I made my way out through the gate I came in, past the boulders, along the forested path, and out into the parking lot beyond the turnstiles.</span></p>
<p><span><span class="full-image-float-left ssNonEditable"><span><img src="http://kaixin.com.au/storage/TerrWarrior6.jpg?__SQUARESPACE_CACHEVERSION=1232313646384" alt="" /></span></span>I was hungry and roamed around the rows of restaurants beckoning to tourists. It was quiet, with very few people around. I chose a large restaurant, and found myself the only diner in the low-tourist season. I sat at a round table for five or more, and perused the menu. Luckily the menu had English translations. I ordered a vegetarian dish and some rice, and settled in to watch a mah jong game being played by the cooks and waiters, as I waited for my meal. I glanced shyly away when they looked over. I assumed they were concerned that I should see them away from their work, and perhaps curious as to why I might want to watch. The tiles clicked, and voices rose and fell like a roller coaster as the game intensified and plays were made.</span></p>
<p><span>I envied them their ritual, and their company. I was alone, with no one to share my experience. And yet I felt deeply satisfied with what I had seen, and my ability to navigate here on my own, so far from home. I devoured my meal with relish, paid the waitress when I was done, and headed back to the bus stop to catch the next bus to Xi&rsquo;an.</span></p>
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<p>&nbsp;</p>]]></content></entry><entry><title>Translating Lu Xun Park by Jeff Stewart</title><category term="China"/><category term="China Travel"/><category term="Tourism"/><category term="Travel"/><id>http://kaixin.com.au/china-journey/2009/1/17/translating-lu-xun-park-by-jeff-stewart.html</id><link rel="alternate" type="text/html" href="http://kaixin.com.au/china-journey/2009/1/17/translating-lu-xun-park-by-jeff-stewart.html"/><author><name>Zhou Xiaosui</name></author><published>2009-01-17T01:34:59Z</published><updated>2009-01-17T01:34:59Z</updated><content type="html" xml:lang="en-AU"><![CDATA[<p>&nbsp;</p>
<p style="text-align: center;"><span style="font-size: 110%;"><strong><span style="font-size: 110%;">China Journey</span></strong></span></p>
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<p><span ><span class="full-image-float-left ssNonEditable"><span><img src="http://kaixin.com.au/storage/water%20writing%20in%20Lu%20Xin%20Park.jpg?__SQUARESPACE_CACHEVERSION=1232148279085" alt="" /></span></span>This morning, walking in Lu Xun Park, I slowed, and then stopped, to watch a man writing traditional characters on the footpath using a large calligraphy brush dipped in water from a plastic drinks container. By the time he had completed a line of text his first characters had already begun to evaporate. Further along, sitting on the edge of the path practicing characters was an older man with a beard. At his feet was a puddle of unintelligible words. Buying breakfast from a stall in Tina ai L&uacute; I silently held out a handful of coins for the young girl selling baozi. Having just arrived in Shanghai, and my only Chinese being nihao, I could only point and hope she understood. A small child smiling on the back of a pushbike repeated phrases her mother sang as she peddled passed one of the street&rsquo;s corner fruit and vegetable stalls. Language I realized was something I had taken for granted; now words were unfamiliar, and I felt more infantile than the child on the back of a pushbike repeating her mother&rsquo;s song.</span></p>
<p><span >But I also experienced something other than a sense of alienation as I held out my handful of coins at the baozi stall. There was something more. The characters written in water evaporating on the warm concrete footpath, and being stepped over by passing pedestrians may have been unintelligible to me; however the gentleman&rsquo;s practice, his gestures were not. The young girl, with a prod from her father, selected the correct coins from my palm and handed me my meal. At a gallery opening of the Beijing artist Guo Lizhong at Studio Rouge, just off the Bund, Guo, Cath (my partner), and I tried to talk about the artist&rsquo;s work. He did not speak English, Cath spoke rudimentary Chinese, and I none. We called George, the gallery owner over to ask if he could help, and when either myself, or Guo or Cath spoke, and George translated, we all looked toward him. We were standing close to each other, but our gaze excluded, usually, the original voice. George had become, however fleetingly, the one being translated, even though we could each have reached out our hand and lightly touched the one who had posed the original question or had just commented. It was as if being translated amounted to our being diminished as a person. But given the sincerity of Georges&rsquo;s attempts to explain what we each meant to say, the obvious pleasure that Cath in particular had derived from Gou&rsquo;s paintings, and the presence of the work itself, this sense of diminished self also became a humble gift offered between those standing together in this small busy space.</span></p>
<p><span ><span class="full-image-float-left ssNonEditable"><span><img src="http://kaixin.com.au/storage/lu%20xan%20-%20Jeff.jpg?__SQUARESPACE_CACHEVERSION=1232148632707" alt="" /></span></span>Inside Lu Xun Park through one of its minor gates, opposite an area of fenced off grass, is the Lu Xun memorial. On the second floor at the head of a marble staircase are hundreds of Lu Xun&rsquo;s translated works encased in Perspex, in rows eight and nine high. The slim pastel coloured volumes published by the Foreign Language Press that I brought in the early 1980&rsquo;s from the East Wind Bookshop in Hardware Lane Melbourne were displayed on the left hand wall. What I enjoyed about these editions, and still do, was that on the inside, after the English title page, there was a reproduction of the original Chinese publication&rsquo;s front cover, usually a wood cut or engraving, a form of printing that Lux Xun had loved and encouraged. The original cover of Wild Grass is a vertical landscape printed in grey, with just a few darker green lines highlighting the foreground hills, darker than that of the translation&rsquo;s cover with its title in black. Outside this three story memorial people walk, sing to the accompaniment of classical instruments, follow the song sheets of revolutionary songs, dance the fox trot and the <span class="full-image-float-left ssNonEditable"><span><img src="http://kaixin.com.au/storage/singing-%20jeff.jpg?__SQUARESPACE_CACHEVERSION=1232148686593" alt="" /></span></span>tango, dance in traditional costume, play badminton (on and off the courts), draw portraits, play cards, sit and talk, and paint in water on the paths. At the main entrance on Sichuan Beilu a woman carrying large multi-coloured balloons, some in the shape of Hello Kitty, or others printed with the face of Snow White, hands two smaller transparent balloons to a man who had been pushing his daughter in a pram, while a small boy smiling, looks up at his bright yellow fish floating at the end of a red ribbon. The park with Lu Xun&rsquo;s name and its people are the author&rsquo;s words translated once again into daily life; while inside, the walled memorial encourages reverence and silence. Communal activity and the possibility of singular contemplation in the one location. This is how I translate the day.</span></p>
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<p style="text-align: center;"><span class="full-image-block ssNonEditable"><a href="http://kaixin.com.au/ctip/" target="_blank"><img style="width: 40px;" src="http://kaixin.com.au/storage/Weekly%20Photo%20Header.jpg?__SQUARESPACE_CACHEVERSION=1286677564270" alt="" /></a></span></p>
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<p>&nbsp;</p>]]></content></entry><entry><title>32 hours to Guangzhou by Peter Goulding</title><category term="China"/><category term="China Travel"/><category term="Tourism"/><category term="Travel"/><id>http://kaixin.com.au/china-journey/2009/1/17/32-hours-to-guangzhou-by-peter-goulding.html</id><link rel="alternate" type="text/html" href="http://kaixin.com.au/china-journey/2009/1/17/32-hours-to-guangzhou-by-peter-goulding.html"/><author><name>Zhou Xiaosui</name></author><published>2009-01-17T01:26:53Z</published><updated>2009-01-17T01:26:53Z</updated><content type="html" xml:lang="en-AU"><![CDATA[<p>&nbsp;</p>
<p style="text-align: center;"><span style="font-size: 110%;"><strong><span style="font-size: 110%;">China Journey</span></strong></span></p>
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<p><span >Although I had been saving for a year and had been particularly frugal in my journey across two continents, approaching the end of my holiday I began to run out of money.</span></p>
<p><span >Not that I was worried. My hotels on a bed and breakfast basis had been paid for, so starvation was not a possibility, but I hoped to save a bit of money to do the funicular in Hong Kong and the hydrofoil to Macau.</span></p>
<p><span >Thus at Shanghai railway station, on February 18th 1986, I opted to travel fourth class to Guangzhou. The train journey would take approximately thirty hours and, if it arrived on time, would allow me ninety minutes to make the last train of the evening to Hong Kong.</span></p>
<p><span >Fourth class.</span></p>
<p><span >First and second class were berths in a two or four berth compartment. Third class was a soft seat. <br />Fourth class was a hard seat.</span></p>
<p><span >Curiously, the prospect of sitting upon a hard wooden bench for thirty hours didn&rsquo;t induce in me the horror that my friends expressed when I related the journey subsequently. If the ordinary Chinese could handle it, I thought, so could I.</span></p>
<p><span >Besides, it was a darned sight more luxurious than fifth class!</span></p>
<p><span >Being obviously non-Oriental and therefore a definite candidate to get on the wrong train, I was shown to my &ldquo;hard bench&rdquo; by a kindly man in a black uniform, who saluted me with a cheery grin and took his leave.<br />I squeezed my holdall into the overhead rack and sat down, to be met by a sea of faces. There must have been around fifty fellow passengers in the compartment and it seemed they had all turned around to stare at this dumb Westerner who had chosen to travel fourth class.</span></p>
<p><span >Someone said something and everybody laughed. I bit my lip as though trying to suppress a smile. A voice from the back started singing, which evinced more laughter. In reply, I howled like a wolf and the place broke up.</span></p>
<p><span >A couple of the young Chinese men (they seemed mostly to be young and male) had a smattering of English, which was more than I had of Chinese. With the help of my pocket atlas and a good deal of sign language and bad miming, I managed to relate the information that I was from Ireland, I worked in a shop and I was on my holidays, having spent the past three weeks travelling overland from Dublin.<br />It seemed everybody had a question. Did I have a girlfriend? Was I rich? Ireland was the same as England, no? Did I play football? </span></p>
<p><span >I had become used to the stares in Beijing but, under this constant bombardment, I decided to turn the tables and fired out a few questions of my own. Did someone come around with food? Was the train normally on time? Where was the toilet? It has to be said the miming of the latter question caused a great deal of hilarity in the compartment.</span></p>
<p><span >When I returned, I found my place on the bench had been taken by a moustachioed young man, who was now ostensibly asleep. I hesitated, wondering on the proper course of action. Thankfully, my next door neighbour &ndash; who seemed to have attracted some reflected glory in having the Irishman beside him &ndash; came to my rescue, shaking the usurper roughly on the shoulder. He blinked, looked up and meekly returned to his position in the aisle.</span></p>
<p><span >This was apparently the norm. The fifth class passengers were simply availing of the opportunity to take the weight off their feet for a minute or two. There was no sense of trying to muscle onto the hard seat, though I wondered, somewhat guiltily, if they resented me for taking up a precious eighteen inches of bench.</span></p>
<p><span >Every hour or so, a little stout lady with a huge urn on wheels came around and ladled out tea into eagerly proffered jugs and jam jars. I had not come across this in my travels and consequently had no receptacle. I was obviously the only one not drinking for, on her third visit, a young man opposite offered me a spare jam jar, which I accepted with many thanks.</span></p>
<p><span >I had been puzzling about the provision of food on a thirty hour train journey. As far as I could see, there was no access for us fourth and fifth class passengers to the dining car, but surely we still had to eat? Was I supposed to have brought some food with me?</span></p>
<p><span >The conundrum was solved at about the fifth stop down the line. As we pulled into the station, I could see a horde of people lined up along the track. Surely they weren&rsquo;t all getting on, I thought? The compartment was heaving as it was and thick with cigarette smoke.</span></p>
<p><span >But no. As the train pulled to a stop, the passengers in the compartment all made a dive for the narrow slit windows, arms outstretched, shaking money at the people outside. In return, they were given a white, plastic mould, which they carried greedily back to their positions. The smell of the hot food was only delicious and when the scrum had died down and everyone had been &ldquo;served&rdquo; I realised again, I was probably the only one not eating!</span></p>
<p><span >As the train pulled out, there was a corresponding movement to the windows on the opposite side of the compartment and empty plastic white moulds were jettisoned on the side of the track. Looking back as we curved around, it seemed there was one long white mountain where a few minutes earlier there had been just gravel.</span></p>
<p><span >More sign language and the next time I was ready, clambering up to the window with the rest of them, a few yen waving furiously. I felt guilty about littering the station with my refuse but did it nonetheless, figuring that the food providers probably recycled the containers when we had gone.</span></p>
<p><span >Evening came and the train rattled through the countryside. The bench opposite me all decided to go to sleep at the same time, each man laying his head on the shoulder of the man next to him, with the man on the end being squashed against the window. Soon, I felt the weight of a head on my left shoulder. Here goes I thought, cocking my head to the right so it landed on the shoulder of the man on the other side. </span></p>
<p><span >And thus we slept throughout the night. Not very well, it must be said, for the shoulder pad hadn&rsquo;t made it to southern China by the mid-eighties. Also when somebody needed the toilet, the chain was broken, although a fifth class passenger usually occupied the gap as soon as it became vacant.</span></p>
<p><span >Morning came and, unwashed and grimy as I was, I felt curiously alive. I was no longer the centre of attention but felt very much a part of this whole marathon train experience. I conversed in sign language with my near neighbours. I got up to stretch my legs for an hour. I was even starting to get the hang of chopsticks. </span></p>
<p><span >We stopped travelling west and began the final six hour southerly stretch into Guangzhou. It hadn&rsquo;t felt like a whole 24 hours since we had puffed our way out of Shanghai and that I put down to the bonhomie and good nature of my travelling companions, who were always ready to smile and joke, despite the gruelling nature of the journey.</span></p>
<p><span >And then, when I estimated we could not be more than an hour from our destination, the train slowly crawled to a complete halt. Puzzled faces squinted out the windows, for we were in the middle of the countryside. A man in a black uniform went running up along the side of the train, ignoring the chorus of questions from the windows.</span></p>
<p><span >We sat there for two hours. By the time we started up again, I knew the connection to Hong Kong had left and I would have to find overnight accommodation in Guangzhou. </span></p>
<p><span >I took a few photos of my travelling companions, quite needlessly as it happened, as in the intervening years, I have never forgotten that journey. They clapped me on the shoulder as we left the train and chattered to me in Chinese, as if I ought to be fluent in the language after sharing a carriage for 32 hours. I thanked them all and shook their hands, knowing it was the end of a journey I would never forget.</span></p>
<p><span >My accommodation problems were very easily solved outside the large and impressive railway station in Guangzhou. Leaning into a taxi, I asked the driver if he could take me to a cheap hotel. &ldquo;Yes, I know cheap hotel,&rdquo; he smiled. </span></p>
<p><span >I hopped in the back and he executed a perfect 180&deg; turn, depositing me outside the hotel on the other side of the street.</span></p>
<p><span >And the two of us roared with laughter.</span></p>
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<p style="text-align: center;"><span style="font-size: 110%;"><strong><span style="font-size: 110%;">China Journey</span></strong></span></p>
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<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p style="text-align: center;"><span style="font-size: 120%;"> <span style="color: #ffff00;">Explore Kaixin </span></span></p>
<p>&nbsp;</p>
<p style="font-size: 90%; text-align: left;"><a href="http://kaixin.com.au/the-cultural-revolution/" target="_blank"><span style="color: #d5ded8;">The Cultural Revolution through my eyes</span></a></p>
<p style="text-align: left;"><a href="http://kaixin.com.au/the-cultural-revolution/" target="_blank"><span class="full-image-float-none ssNonEditable"><img style="width: 100px; float: left;" src="http://kaixin.com.au/storage/0b9eb319a214da77dab4bd8e.jpg?__SQUARESPACE_CACHEVERSION=1288730596372" alt="" /></span></a></p>
<p style="text-align: center;">&nbsp;</p>
<p style="text-align: center; font-size: 100%;"><em>&nbsp;<em><span style="color: #ff0000;"><a href="http://kaixin.com.au/growing-up-in-china/" target="_blank">Growing up in China</a></span></em></em></p>
<p style="text-align: center; font-size: 100%;"><a href="http://kaixin.com.au/growing-up-in-china/" target="_blank"><em><em><span class="full-image-block ssNonEditable"><img style="width: 100px;" src="http://kaixin.com.au/storage/Waterfall%20049.jpg?__SQUARESPACE_CACHEVERSION=1288685463828" alt="" /></span></em></em></a></p>
<p style="text-align: right;"><a href="http://kaixin.com.au/mfw/" target="_blank"><strong><span style="font-size: 80%;"> <span style="color: #ff0000;">My Father's Wisdom</span></span></strong></a></p>
<p><strong><span style="color: #d5ded8;">&nbsp;</span>&nbsp; </strong><a href="http://kaixin.com.au/mfw/" target="_blank"><span class="full-image-float-none ssNonEditable"><img style="width: 100px; float: right;" src="http://kaixin.com.au/storage/Shang%20hai%20071.jpg?__SQUARESPACE_CACHEVERSION=1286188605039" alt="" /></span></a></p>
<p style="text-align: left;"><a href="http://kaixin.com.au/jiang-gu-shi/" target="_blank"><em>'jiang gu shi'</em></a></p>
<p style="text-align: left;"><a href="http://kaixin.com.au/jiang-gu-shi/" target="_blank"><span style="font-size: 120%;">&nbsp;讲故事</span></a></p>
<p style="text-align: left;"><a href="http://kaixin.com.au/jiang-gu-shi/" target="_blank">Storyteller</a></p>
<p>&nbsp; <a href="http://kaixin.com.au/jiang-gu-shi/" target="_blank"><span class="full-image-block ssNonEditable"><img style="width: 100px; float: left;" src="http://kaixin.com.au/storage/Waterfall%20045.jpg?__SQUARESPACE_CACHEVERSION=1288511273874" alt="" /></span></a></p>
<p style="text-align: center;"><a href="http://kaixin.com.au/chinese-home-cooking/" target="_blank"><span style="color: #ee1515;">Xiaosui's Home Cooking</span></a></p>
<p style="text-align: center;"><a href="http://kaixin.com.au/chinese-home-cooking/" target="_blank"><span class="full-image-block ssNonEditable"><img style="width: 100px;" src="http://kaixin.com.au/storage/KaiXin%20-%20cooking%20049.jpg%20-%201.jpg?__SQUARESPACE_CACHEVERSION=1287005065921" alt="" /></span></a></p>
<p>&nbsp;</p>
<p style="text-align: right;"><a href="http://kaixin.com.au/chinese-music/" target="_blank"><span style="font-size: 80%;"><span style="color: #ee1515;">A Selection of Chinese Classical Music available on YouTube</span></span></a></p>
<p><a href="http://kaixin.com.au/chinese-music/" target="_blank"><span style="font-size: 150%;"><span style="color: #ee1515;"><span class="full-image-block ssNonEditable"><img style="width: 100px; float: right;" src="http://kaixin.com.au/storage/Qing%20Xiu%20072.jpg?__SQUARESPACE_CACHEVERSION=1286783283698" alt="" /></span></span></span></a></p>
<p>&nbsp;</p>
<p style="text-align: center;"><span style="color: #757676;">&nbsp;</span></p>
<p style="text-align: center;"><span style="color: #757676;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; China and Tibet - Xi Zang   西藏 </span></p>
<p><span style="color: #d5ded8;">
<p style="text-align: center;"><span style="font-size: 80%;"><a href="http://kaixin.com.au/xi-zang-tibet/" target="_blank">&nbsp;"<em>Darkness cannot drive out darkness, only light can do that</em>," Dalai Lama</a><br /></span></p>
<p style="text-align: center;"><span class="full-image-block ssNonEditable"><a href="http://kaixin.com.au/xi-zang-tibet/" target="_blank"><img style="width: 100px;" src="http://kaixin.com.au/storage/Tibet%20Railway%20BBC.jpg?__SQUARESPACE_CACHEVERSION=1286833623604" alt="" /></a></span></p>
</span></p>
<p>&nbsp;</p>
<p style="text-align: center;">&nbsp;</p>
<p style="text-align: left;"><a href="http://kaixin.com.au/women-in-china/" target="_blank"><strong>Women in China </strong><strong>&nbsp;</strong></a></p>
<p><a href="http://kaixin.com.au/women-in-china/" target="_blank"><span class="full-image-block ssNonEditable"><img style="width: 120px; float: left;" src="http://kaixin.com.au/storage/women%20in%20%20China%20header.jpg?__SQUARESPACE_CACHEVERSION=1287172887663" alt="" /></span></a></p>
<p style="text-align: center;">&nbsp;<a href="http://kaixin.com.au/chinese-movies/" target="_blank"><span style="font-size: 90%;"><strong><span style="color: #ee1515;">Chinese Movies</span></strong></span><strong>&nbsp;</strong></a></p>
<p style="text-align: center;"><a href="http://kaixin.com.au/chinese-movies/" target="_blank"><span style="font-size: 120%;"><span class="full-image-block ssNonEditable"><img src="http://kaixin.com.au/storage/http_imgload56.jpg?__SQUARESPACE_CACHEVERSION=1287041770835" alt="" /></span></span></a></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p style="text-align: right;"><a href="http://kaixin.com.au/chinese-poetry/"><span style="font-size: 90%;"> <span style="color: #ee1515;">Chinese Poetry</span></span></a></p>
<p>&nbsp;<span class="full-image-block ssNonEditable"><a href="http://kaixin.com.au/chinese-poetry/" target="_blank"><img style="width: 100px; float: right;" src="http://kaixin.com.au/storage/Poetry%20Li%20Bai%20Drinking%20Alone%20under%20the%20Moon.jpg?__SQUARESPACE_CACHEVERSION=1287041028028" alt="" /></a></span></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><span style="color: #ee1515;">
<p style="text-align: center;"><a href="http://kaixin.com.au/ctip/" target="_blank">Contemporary China in Photographs </a></p>
<p style="text-align: center;">&nbsp;</p>
<p style="text-align: center;"><span class="full-image-block ssNonEditable"><a href="http://kaixin.com.au/ctip/" target="_blank"><img style="width: 40px;" src="http://kaixin.com.au/storage/Weekly%20Photo%20Header.jpg?__SQUARESPACE_CACHEVERSION=1286677564270" alt="" /></a></span></p>
<p>&nbsp;</p>
<p style="text-align: center;">&nbsp;</p>
<p style="text-align: left;"><a href="http://kaixin.com.au/china-history-in-film/" target="_blank"><span style="font-size: 110%;"><strong><span style="color: #ff0000;">A Series of Documentaries </span></strong></span><strong>&nbsp;</strong></a></p>
<p style="text-align: left;"><a href="http://kaixin.com.au/china-history-in-film/" target="_blank"><span style="font-size: 110%;"><strong> <span style="color: #ff0000;">on </span></strong></span></a></p>
<p style="text-align: left;"><a href="http://kaixin.com.au/china-history-in-film/" target="_blank"><strong> <span style="color: #ff0000;">China's History</span></strong></a></p>
<p><strong><span style="color: #ff0000;"><a href="http://kaixin.com.au/china-history-in-film/" target="_blank"><span class="full-image-block ssNonEditable"><img style="width: 150px; float: left;" src="http://kaixin.com.au/storage/72.jpg?__SQUARESPACE_CACHEVERSION=1282635197755" alt="" /></span></a><br /></span></strong></p>
<p style="text-align: center;">&nbsp;<strong><span style="color: #1649ca;">Kaixin's</span><span style="color: #ee1515;"> Daily</span><span style="color: #ffff00;"> OpEd</span><span style="color: #1649ca;">&nbsp;</span><span style="color: #04b404;"> </span></strong></p>
<p style="text-align: center;">&nbsp;<a href="http://kaixin.com.au/kaixin-oped/" target="_blank"><strong> <span class="full-image-block ssNonEditable"><img style="width: 100px;" src="http://kaixin.com.au/storage/Shang%20hai%20068.jpg?__SQUARESPACE_CACHEVERSION=1288161096065" alt="" /></span></strong></a></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p style="text-align: center;"><a href="http://kaixin.com.au/insights-into-china/" target="_blank">Insights into China's </a></p>
<p style="text-align: center;"><a href="http://kaixin.com.au/insights-into-china/" target="_blank">Society &amp; Culture</a></p>
<p style="text-align: center;"><a href="http://kaixin.com.au/insights-into-china/" target="_blank"><span class="full-image-block ssNonEditable"><img style="width: 100px;" src="http://kaixin.com.au/storage/http_imgload25.jpg?__SQUARESPACE_CACHEVERSION=1287652825661" alt="" /></span></a></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><span style="color: #04b404;">
<p style="text-align: right;">GREEN CHINA</p>
</span></p>
<p><a href="http://kaixin.com.au/green-china/" target="_blank"><span class="full-image-block ssNonEditable"><img style="width: 120px; float: right;" src="http://kaixin.com.au/storage/gc_duck.jpg?__SQUARESPACE_CACHEVERSION=1287564946624" alt="" /></span></a></p>
<p>&nbsp;</p>
<p style="text-align: center;"><a href="http://kaixin.com.au/china-real-estate/" target="_blank"><span style="font-size: 120%;">China Real Estate</span></a></p>
<p style="text-align: center;"><a href="http://kaixin.com.au/china-real-estate/" target="_blank"><span class="full-image-block ssNonEditable"><img style="width: 140px;" src="http://kaixin.com.au/storage/CD%20Urbanisation%20growing%20pains.jpg?__SQUARESPACE_CACHEVERSION=1287735854164" alt="" /></span></a></p>
<p>&nbsp;</p>
<p style="text-align: left;"><a href="http://kaixin.com.au/yuan-revaluation/" target="_blank"><span style="font-size: 120%;">Yuan Revaluation &amp; Internationalisation</span></a></p>
<p><a href="http://kaixin.com.au/yuan-revaluation/" target="_blank"><span class="full-image-block ssNonEditable"><img style="width: 100px; float: left;" src="http://kaixin.com.au/storage/Yuan%20Debate.jpg?__SQUARESPACE_CACHEVERSION=1287717232770" alt="" /></span></a></p>
<p style="text-align: center;"><a href="http://kaixin.com.au/chinese-art/" target="_blank"><span style="font-size: 110%;"><span style="color: #ee1515;">Chinese Art</span></span></a></p>
<p style="text-align: center;"><span style="color: #ee1515;">艺术</span></p>
<p style="text-align: center;"><a href="http://kaixin.com.au/chinese-art/" target="_blank"><span class="full-image-block ssNonEditable"><img style="width: 100px;" src="http://kaixin.com.au/storage/Bamboo%20Logo.jpg?__SQUARESPACE_CACHEVERSION=1288933252806" alt="" /></span></a></p>
<p style="text-align: center;">&nbsp;</p>
<p>&nbsp;</p>
<p><a href="http://kaixin.com.au/chinese-zodiac/" target="_blank"><span class="full-image-block ssNonEditable"><span><img style="width: 60px; float: left;" src="http://kaixin.com.au/storage/chinese-zodiac-Logo.jpg?__SQUARESPACE_CACHEVERSION=1287264251192" alt="" /></span></span></a></p>
<p style="text-align: left;"><span style="font-size: 150%;">&nbsp; <span style="color: #ee1515;">Chinese Zodiac</span></span></p>
<p style="text-align: left;"><span style="font-size: 150%;">&nbsp; <span style="color: #ee1515;">Jewellry</span></span></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p style="text-align: center;"><span> <span style="color: #1649ca;"> China's </span><span style="color: #ee1515;">Top</span><span style="color: #ffff00;"> 10</span><span style="color: #04b404;"> Leisure</span> <span style="color: #ee1515;"> Spots</span></span></p>
<p style="text-align: center;"><span><span style="color: #ee1515;"><a href="http://kaixin.com.au/chinas-top-10-leisure-spots/" target="_blank"><span class="full-image-block ssNonEditable"><span><img style="width: 120px;" src="http://kaixin.com.au/storage/CDTop10Guilin1.jpg?__SQUARESPACE_CACHEVERSION=1289026682818" alt="" /></span></span></a><br /></span></span></p>
<p>&nbsp;</p>
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